Posted by RickFeliz on November 17, 2000 at 18:22:09:
In Reply to: The Hall of Mirrors posted by Matiz on November 16, 2000 at 16:22:45:
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Matiz, I agree with you about the importance of selecting a useful metaphor to assist you in keeping your bearings in new and uncharted waters. Recently I was taking an early-morning class and looked out and saw two of the "old pro's" sitting in a booth. My one and only "ex-novia" (ex-girlfriend) and La Fave. They've both lasted in the business and have passed the "survivorship" test a long time ago. Birds of a feather in the fall of life huddled together against the coming winter. I sat at the bar and watched them in "los espejos" (the mirrors). Not much natural laughter. After awhile my attention shifted to a beautiful, sexy young woman of child-bearing age. I looked out beyond her, opened the input channels, and took in the overpowering sights, sounds, and feelings from the campus of La Universidad de Adelitas. And what a marvelous campus. The lights, the music, the laughter, the silouettes, the bodies, the smiling, the touching, and "los espejos" (the mirrors). I love to dance on either of the smaller dance floors and brush my hands lightly across her "pompas" (derriere) while looking into the mirrors on the wall. I can see into "el futuro" (the future) and anticipate the feeling of my hands holding onto that great tight ass. I can feel her legs against my thighs as she reaches for the ceiling with them. In los espejos, one can see el futuro. In the present los espejos reveal the elegant silklike material of her dress tightening against her body and revealing a perfectly-rounded rearend. I can see her well-turned legs beneath her dress. And by moving closer to "el espejo" (the mirror), I can see the lights reflecting off her shiny black highheel "zapatos" (shoes). And by looking directly into el espejo, I can see a middle-aged caballero who looks "muy contento" (very happy). Regards,
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